再次听完贾老师的2017-2019有被爽到补标配乐太棒了(是贾老师的Against All Logic分身)配乐很多像是从他2017-2019合集里挑出来的(Fantasy出现的Breakbeat结构以及那张大合集里各种切分节拍的小巧思已经在这张原声带里出现了另外电影的直接用了2017-2019里最为工业化Alarm)另外贾老师2020年的Cenizas对于氛围的精准掌控也能在配乐中初现端倪其实就剧本而言拉雷恩明明可以做的更加“极端”为什么不干脆把逻辑以及观众所持有的对于传统家庭的道德感完全抛开忽略最终建构的自洽性现在的成片反而显得有些首鼠两端了让成片从令人拍案叫绝的WTF变成拉美肥皂剧惯有的狗血奇情
75/100 #72ndBerlinaleEncounters_Special Jury Award "The encounter of two poets in the autumn of their lives, orchestrated by the director with mischief and a loving yet discerning regard. A playful battle of egos, that doubles as an intimate and moving meditation on language, communication and artistic creation."